China Cultural Center in Stockholm holds the largest exhibition in its history

By Xuefei Chen Axelsson

STOCKHOLM, Nov. 19(Greenpost)– China Cultural Center in Stockholm is holding the largest exhibitions since its establishment in September 2016.

Chinese Ambassador to Sweden Gui Congyou spoke at the opening of the three exhibitions. One is Born in the 60’s China Contemporary Art Exhibition & Invitational Exhibition for Swedish Artists. The third is Qian Yuqing’s Chinese calligraphy and Ding Yazhong’s  landscape ink Paintings.

“Art is a language that all the people can appreciate. Although China’s contemporary art has a short history, it has become an important art form in China and even in the world. China’s rapid development and great changes have become an inspiration and a source for artists.”  said Ambassador Gui.

“By learning from the western art, Chinese artists have explored deeply about Chinese traditional culture in recent years, by holding this exhibition, I am sure it will promote bilateral cultural exchanges through art works from both China and Sweden.” said Ambassador Gui.

Director of the China Cultural Center In Stockholm and Cultural Counselor of Chinese Embassy in Stockholm, Pu Zhengdong said he is proud to present these three kinds of exhibitions which he believed to have been historic and plays an important role in promoting bilateral understanding and exchange of cultures.  This has been the main purpose of the center and now it really meets the goal.

Anders Nyhlen, planner of the exhibition said he was very glad to attend this exhibition.

“I have held exhibitions relation to China for six times. Many Swedish artists like to know about China since China develops so fast. This time we have eight Swedish artists participating in the exhibition and I think we welcome the Chinese artists to come to Sweden. ” said Nyhlen.

Professor Zhang Fangbai who is also artist and one of the focal persons for the exhibition said he is very grateful to have a chance to exhibit Chinese contemporary art again in Sweden because this has been very conducive for the Chinese contemporary arts development. These kinds of exhibitions in Stockholm affect Chinese artists a lot and Chinese artists were inspired by Swedish artists.

Artist Han Zhongren said by looking at the Swedish artists works, he felt he could understand what those artists are seeking for and he felt that they are seeking for similar goals and shoulder similar responsibilities.  Han’s works are mainly about environmental protection theme.

Qian Yuqing used to be a policeman. But he loved Chinese calligraphy since childhood and calligraphy has always been his hobby. Now he treats the hobby as his main task and quitted the police job.  He loved calligraphy and if he couldn’t get both, he quitted the police job and keeps the calligraphy job.  He said Chinese and western artists actually can learn from each other.  These exhibitions are just the way for them to exchange ideas. He got inspiration from the Swedish artists and he hopes Swedish artists can get some inspiration from him.

Ding Yazhong has his own art gallery, Jia Ji Art Gallery, and has his own art school. He also loves art since childhood.  His specialty is to use special red ink color to paint the landscape. His works show  people a beautiful feeling of autumn symbolising good harvest and beautiful autumn.  China is indeed experiencing the good harvest in many aspects.

The exhibitions opening attracted many audiences.  It will last till 28th of November.

There is also a digital exhibition during the whole exhibitions.

Text/Photo  Xuefei Chen Axelsson

今日头条:斯德哥尔摩中国文化中心举办成立以来最大规模的中瑞艺术展

北欧绿色邮报网报道(记者陈雪霏)– 斯德哥尔摩中国文化中心18日举办成立以来最大规模的中瑞艺术展,即面向东方,“60年代”中国当代艺术展暨瑞典艺术家邀请展和江南墨韵书画展。中国驻瑞典大使桂从友出席开幕仪式并致辞。

桂大使说,艺术是人类共通的语言,也是不同国家和民族之间增进互信和友谊的有效桥梁。中国改革开放30多年来,政治经济文化和社会生活经历了巨大的变迁,文化艺术也获得了增长空间和发展动力。虽然当代中国艺术的历史并不长,但它的蓬勃发展已成为中国独特的文化生态,并成为世界多元化中的重要一员。

“习近平主席指出,任何一个时代的文艺,都要同国家和民族紧紧维系,休戚与共,才能发出振聋发聩的声音。快速发展和深刻变革的中国为当代艺术家们的创作提供了源源不断的灵感。”

桂大使说,在经历了西方乃至全球当代艺术转型之后,中国当代艺术家也越来越倾向于调转自己的视线,向自身的传统做深度的观察,将中国的传统思维理念和东方美学思想作为新的支撑,探索中国历史,社会和文化在当代艺术中的关系,尝试运用自己的语言与方式实现传统的当代转化与创造性的运用,在当代艺术中体现中国精神和中国气质。

桂大使说,中国和瑞典之间的艺术交流十分密切,今年六月,瑞典文化年在中国正式开幕。中国艺术家也经常到瑞典来举办展览,进行艺术交流,今天参展的艺术家中有几位艺术家的作品曾多次在瑞典展出,深受瑞典观众的喜爱。我要感谢所有参展的艺术家们,是你们的艺术为中瑞两国民众的对话交流搭建了桥梁。

斯德哥尔摩中国文化中心主任,中国驻瑞典使馆文化参赞浦正东主持开幕式。他说,这是自2016年9月2日文化中心启动以来举行的规模最大的一次展览。三个艺术展览同时进行。这次展览中有八位瑞典画家,两位江南艺术家,还有中央美院的10几位艺术家作品参展。可以让观众真正体会到中瑞文化的交融与碰撞。作为中心主任,我非常高兴,这是对我们中心的一个提升,过去都是一个国家,一个地方的一个展览,这次是三个展览,水准之高是历史上没有的,这也令我感到骄傲。希望这三个艺术展能使中国、瑞典文化艺术的交流更上一个新台阶。

面向东方—60年代中国当代艺术展的艺术家都出生于上个世纪60年代,他们代表了中国当代艺术家的一个潮流—与中国传统美学联系起来,创造出体现中国特性的当代艺术。面向东方是一种新的姿态。

瑞典艺术家邀请展的策展人是安德斯.努林先生,这次安德斯先生邀请的瑞典艺术家,都是在艺术上非常优秀的瑞典艺术家。

他们的作品看似很简单,但实际上都蕴含很深的含义。

在接受本网记者采访时,瑞典策展人安德斯(Anders Nyhlen)说,他非常高兴能参加这次展览。他说他知道,瑞典很多艺术家都喜欢中国文化,尤其是中国发展非常迅速,所以,他们想亲眼看看中国的变化,因此,他们愿意去中国。同时,有中国画家来展,他也感到非常高兴能够参与其中。非常感谢斯德哥尔摩中国文化中心能够邀请瑞典艺术家一起展览。

艺术家张方白教授在致辞中说,我特别想说的是,我们第一次来瑞典展览,是瑞典选择了中国的当代艺术,是从中国传统美学出发演变成当代艺术,而且这个展览是第一次在瑞典被承认。而且它反过来影响中国当代艺术,成为中国当代艺术的主流。我觉得这不仅仅是友谊交流,而且是更深层次的文化交流。这次策展人余丁先生没有来,他让我转达他对大家的问候。这次展览的艺术家都是中国具有代表性的艺术家,希望大家喜欢他们的作品。感谢安德斯先生召集这么多瑞典的艺术家。

环保题材画家韩中人说,作为艺术家,我非常高兴看到瑞典艺术家的作品,通过艺术作品可以了解人类现状和艺术家对未来的追求和责任,对此我特别感兴趣。

他来自辽宁,毕业于中央美院,专门画环保题材的作品,反映了艺术家在当代的追求和社会责任担当。

参加本次展览的唯一一位书法家钱玉清教授在开幕式上说,书法艺术是可以穿越时空的,它既是传统的,又是现代的。它是最具东方符号的具有抽象性和意向性的一门独立的艺术形式。他说,民国时期,中国画家张大千远程到西班牙拜访画家教父毕加索。一见面,毕加索拿出一打齐白石的画说,我正在描摹齐白石的画。他说,最好的艺术在中国,如果我生在中国,我首先应该是一位书法家。这个故事说明艺术是可以互相借鉴的。今天看了西方的艺术家的作品,感触很深。这将对我以后的创作带来动力,也希望大家能从我的书法中得到启发元素。

采访中,记者还了解到一个有趣的故事,那就是钱玉清以前是公安局局长,后来因为酷爱书法,舍局长而取书法了。本来以前也喜欢绘画,但因时间关系,最终专注书法,他写的毛主席诗词沁园春雪,气势磅礴。

丁亚忠山水画研究院院长丁亚忠说他主攻中国传统的山水画,擅长新红色泼墨山水画。在接受本网记者采访时,丁亚忠说,他觉得新红色泼墨山水画能够反映中国山水的美。尤其是秋季收获的季节,给人以美感,给人以收获的感觉,正好反映当今中国时代的脉搏。

参加展出的瑞典艺术家有布.拉尔松,Bo Larsson,瑞典皇家艺术院成员,是1989-2003年间诺贝尔奖证书的创作者。凯撒.赫尔姆斯丹, Cajsa Holmstrand,瑞典皇家艺术院成员,其作品在斯德哥尔摩现代博物馆,哥德堡艺术博物馆和诺雪平艺术博物馆等收藏。其他艺术家还有Eva Zettervall, Lars Nyberg, Lena Cronqvist, Lina Nordenström和Ulf Gripenholm. 参加画展的中国画家有王家增,张立,艾安,冯放,黄勇,邱志杰,缪晓春,苏新平,唐辉,祝延存和左筱榛。

本次展览由中国驻瑞典大使馆支持,斯德哥尔摩中国文化中心主办,中央美术学院,人美新媒体科技有限公司协办。

本次展览除了书法和绘画,还有电子数字艺术展览,开幕式当天吸引了很多瑞典画家和艺术爱好者前来观看。斯德哥尔摩中国文化中心于2016年9月2日揭牌以来,连续不断地展出各类中国文化艺术作品,进行中国乐器演奏以及作家作品研讨会等,在中瑞文化交流方面发挥了重要作用。

图文/陈雪霏