Tag Archives: Swedish Film

Lost Swedish silent film rediscovered in France(瑞典丢失的哑巴电影找回来了)

Lost Swedish silent film rediscovered in France


Judaspengar/The Price of Betrayal (images from the Swedish Film Institute’s Film Archive)

The Film Heritage Direction of the CNC in Bois d’Arcy has rediscovered a print of the long lost Judaspengar/The Price of Betrayal, directed by Victor Sjöström in 1915.

The sensational find was announced in October last year, and the element which was identified is a nitrate Swiss distribution print from the film's release, with French and German intertitles. The unearthed print is almost complete and is 755 meters, compared to the film's original length of 799 meters.

The film was produced by AB Svenska Biografteatern and was shot in the summer of 1915, and premiered in November the same year at Paladsteatret in Copenhagen. Egil Eide and John Ekman play the main characters in this drama where poverty and hardship leads an unemployed man to give up his friend, wrongly accused of murder.

The director, Victor Sjöström is together with Mauritz Stiller the big name within Swedish silent film era. Sjöström was active in the theater as director and actor when he was brought into the film industry in 1912 by Charles Magnusson, director of the studio Svenska Biografteatern. During his first five years, Sjöström directed no less than 30 films, of which the most famous is the masterpiece Ingeborg Holm (1913. 

About Judaspengar, the daily paper Svenska Dagbladet wrote in their review "Standing on the top of what film drama can offer, and with Victor Sjöström's artistic directing, this masterpiece comes very close."


— This is a fantastic discovery. With this film we get yet another important piece of the puzzle in Sjöström’s career that helps to understand the development of the silent film in Sweden. Judaspengar / The Price of Betrayal is not only an extremely powerful drama about poverty and betrayal, but also show Sjöström’s outstanding qualities as director in terms of image compositions and character direction. We are very pleased to be able to collaborate with the archive in Bois d’Arcy, says Jon Wengström, Curator of the Archival film Collections of the Swedish Film Institute.

*) Centre National du Cinéma et de l’Image Animée/ National Centre for Cinema and the Moving Image

CNC and the Swedish Film Institute will collaborate on the restoration of the film in 2018, when viewing copies also will be made. With this discovery, 16 of Sjöström’s 42 Swedish silent films are preserved.

For more information and press related matters, please contact the undersigned.

Stockholm, February 20th.

A Pigeon Sat on a Branch Reflecting on Existence

A Pigeon Sat on a Branch Reflecting on Existence – Sweden’s candidate for the Academy Award nominationsBeskrivning: Beskrivning: H:\My Documents\roy\Roy_Andersson_c_mair_476.jpg

Roy Andersson talks to Swedish Film Institute head of press Jan Göransson. To his left producer Pernilla Sandström and Director International Department Pia Lundberg. Photo: Christopher Mair/Swedish Film Institute

 The Swedish Oscar Committee has chosen Roy Andersson’s A Pigeon Sat on a Branch Reflecting on Existence as Sweden’s candidate for the Academy Award nominations. The film is also selected for European Film Award – People’s Choice Award, with Force Majeure by Ruben Östlund as one of the other nine nominated.

 A happy Roy Andersson attended the press conference at the Swedish Film Institute in Stockholm, earlier today. He is currently working on a new project, with the working title On Eternity (Om det oändliga); also adding that he wants to see more poetry in film in general.

 In autumn 2014, Roy Andersson’s A Pigeon Sat on a Branch Reflecting on Existence (En duva satt på en gren och funderade på tillvaron) was awarded a Golden Lion at the Venice International Film Festival. Now, the Swedish Oscar Committee has selected the film as the Swedish candidate for the Academy Award nominations.

The Academy Award judges will then decide which films go on to a shortlist, and which are subsequently nominated for an Academy Award.

 A Pigeon Sat on a Branch Reflecting on Existence has been well received both in Sweden and internationally. The average rating from Swedish critics is 3.90 out of 5. The foreign press has also praised the movie:

“The morose, sardonic genius on show in Roy Andersson’s A Pigeon Sat on a Branch Reflecting on Existence plays like the melancholy inheritor of fellow Nordic miserablists August Strindberg, Edvard Munch and Søren Kierkegaard – but with much better jokes.” (Jonathan Romney, Sight & Sound, May 2015)

 “…the film is a master class in comic timing, employing pacing and repetition with the skill of a practiced concert pianist.” (Peter Debruge, Variety, September 2014)

 

The film is produced by Pernilla Sandström for Roy Andersson Filmproduktion, and co-produced by Société Parisienne de Production of France, 4½ of Norway, and German company Essential Film Production. The film received production funding from the Swedish Film Institute, Film Commissioner Suzanne Glansborg.Coproduction Office is the international sales agent. The movie premiered in Sweden on 14 November and is distributed by TriArt.

 Roy Andersson is one of Swedish film’s most important directors of all time. His first feature-length film A Swedish Love Story (En kärlekshistoria) from 1970 set a new standard in psychological realism, subtle tragicomedy and strong visual narrative – something that has characterised Andersson’s work ever since, particularly in his acclaimed 2000 comeback movie Songs from the Second Floor (Sånger från andra våningen). A Pigeon Sat on a Branch Reflecting on Existence is the perfectionist Andersson’s first feature-length film in seven years. Andersson was also selected Sweden’s candidate for the Academy Award nominations with A Swedish Love Story, Songs from the Second Floor and You, the Living.

 In addition to supporting the Swedish entry for Best Foreign Language Film, the Swedish Film Institute will also grant support for the Academy Award campaign forStig Björkman’s Ingrid Bergman – In Her Own Words in the Best Documentary Feature category.

 The following Oscar Committee members were involved in making the decision:

Anders Habenicht, appointed by Teaterförbundet – The Swedish Union for Performing Arts and Film
Jörgen Bergmark, appointed by Teaterförbundet – The Swedish Union for Performing Arts and Film
Zoran Slavic, appointed by Sveriges Filmuthyrareförening (Swedish association of film renters)
Jan Lumholdt, appointed by the Swedish Federation of Film Critics
George Ivanov, appointed by the Swedish Film Institute
Charlotta Denward, appointed by the Swedish Film & TV Producers Association
Sören Staermose, appointed by the Swedish Film & TV Producers Association

 European Film Award – People’s Choice Award

A Pigeon Sat on a Branch Reflecting on Existence is also selected for European Film Award – People’s Choice Award, one of the biggest film awards in the world. Among other nominated is Force Majeure by Ruben Östlund, making it two Swedish films of a total of ten nominated. The winner is announced at the European Film Awards Ceremony on 12 December in Berlin.